It is said that cante jondo (deep song) is the heart and soul of flamenco: Major forms are the" tonás, martinetes, seguiriya, soleá, and carcelera. Meaning "profound" and "deep," this intensely sad form of cante deals with themes of death, anguish, despair, or religious sentiments and may be sung a palo seco (without guitar accompaniment). The flamenco songs of today may be classified into one of three categories: cante grande, cante intermedio or cante chico.Īlso known as cante jondo and sometimes referred to as cante gitano.
![jondo song jondo song](http://www.aquabooks.ca/images/school.jpg)
There are many variants of cantes or palos (song forms), each expressing a unique emotion (which shares noticeable resemblance to Indian classical music). 3.6 Camarón de la Isla (José Monje Cruz).3.5 Manolo Caracol (Manuel Ortega Juarez).3.4 La Niña De Los Peines (Pastora Maria Pavon Cruz).2 Other classifications of cante flamenco.The first two prizes went to El Tenazas and El Caracol. Singers from all over Andalusia travelled to join in the competition. In order to preserve the "authentic" cante jondo (deep song), Manuel de Falla and Federico García Lorca, organized the Concurso de Cante Jondo in Granada in 1922.
![jondo song jondo song](https://i.ytimg.com/vi/K0botl4FQoY/mqdefault.jpg)
Beginning in 1910, cante flamenco was popularized by the opera flamenca which included the lighter forms of flamenco such as fandangos and cantes de ida y vuelta. įlamenco developed into its definitive form during its Golden Age (1869-1910). Flamenco embodies awealth of musical cultures - Roma, Arab, Berber, Jewish, and Christian. Its origins are uncertain but scholars see many influences in the cante flamenco including: The traditional song of the gitanos (Spanish Gypsies), the Perso-Arab Zyriab song form, the classical Andalusian orchestras of the Islamic Empire, the Jewish synagogue chants, Mozarabic forms such as zarchyas and zambra, Arabic zayal (the foundation for the Fandango), and Andalusian regional folk forms, as well as West African and South American influences as seen in the cantes de ida y vuelta. The cante flamenco is part of musical tradition in the Andalusian region of Spain. Because the dancer is front and center in a flamenco performance, foreigners often assume the dance is the most important aspect of the art form - in fact, it is the cante which is the heart and soul of the genre. Hobbs, Mary Etta.The cante flamenco ( Spanish pronunciation: ), meaning "flamenco singing", is one of the three main components of flamenco, along with toque (playing the guitar) and baile (dance). oai/?verb=GetRecord&metadataPrefix=oai_dc&identifier=info:ark/67531/metadc4512 International Image Interoperability Framework (IIIF) As a result her songs are intensely dramatic and are exciting pieces to perform. She felt the humanity in Lorca's poetic cries and expressed them through her own language. Being of Spanish heritage, but not Andalusian, she is less committed to the local musical constraints. Fabregas, like Lorca, has taken a folk medium and expanded it beyond its original boundaries. His life was short, but his legacy is long. The poet communicated on several levels, one as a voice of Andalusia, Spain and ultimately mankind and another with his own private message.
![jondo song jondo song](https://oldenburghorse.net/upload/Auktionen/Hengste_usa/Fiti_AL_2021.jpg)
They echoed the history, the landscape and the tears, but they did so through symbolism and vivid imagery. Lorca's writings were not imitations of the traditional cante jondo. He saw folk music as the core of the national musical and literary identity in Germany, France and Russia and worked to establish Spain as an artistic equal. His goal was to preserve the essence of the song and lift it to an artistic plain. Lorca felt the validity of "deep song" and he was disturbed that it was being corrupted by commercialism and was afraid it would be lost to posterity. This study explores the history and the poetic and musical forms Andalusian cante jondo as the inspiration for the poetry of Federico Garcia Lorca set by Elisenda Fabregas in the song cycle, Five Poems of Garcia Lorca (1992). The original folk idiom is a medium less concerned with beauty than the cathartic release of pain of every day life. "Deep song," the translation for cante jondo, is the forerunner of the flamenco, but it is a communication of a dark soul rather than an exuberant entertainment.
![jondo song jondo song](https://www.chords.vip/images/song-lyrics/chord_ten-million-miles_martin-jondo.jpg)
The genre expresses the history of the region, reveals the typography of the landscape and cries the tears of its people. The traditional cante jondo is a song unique to Andalusia as it developed from the "mosaic" of cultures that have inhabited its borders, including Arabs, Jews and Gypsies.